SHARIQ
SHAH

RESEARCH

DIGITAL GANDHARA IS AN INTER-INSTITUTIONAL WEB ARCHIVE FOR EXPLORING ANCIENT BUDDHIST SITES AND ARTIFACTS [HARVARD CAMLAB, 2024]

SILENT SUMMER IS A COMMUNITY SCIENTIST’S DIGITAL GUIDEBOOK TO THREATENED MIGRATORY BIRDS ON CAPE ANN, MA [HARVARD OFFICE FOR URBANIZATION, 2024]

MY RIVER MAKES NUMBERS MY RIVER MAKES LOVE IS A LECTURE ON COLONIAL CARTOGRAPHIC DATA AND INTERSPECIES KINSHIP ON THE INDUS RIVER [UCLA HAMMER MUSEUM, 2023]

MANGROVE ECOLOGIES IS A CATALOG OF REFORESTATION KNOWLEDGE IN THE INDUS DELTA [HARVARD DEPARTMENT OF LANDSCAPE ARCHITECTURE, 2022]

HIYOKECHI IS A SPATIAL READING OF TOKYO’S PUBLIC PARKS WITHIN THE HISTORY OF DISASTER MITIGATION [HARVARD REAL ESTATE, 2023]

OASIS IS A SATELLITE IMAGING BASED MODEL FOR ECOLOGICALLY-ATTUNED MIGRATION IN THE SAHEL [SPATIAL DESIGN FOR CLIMATE MIGRATION, 2024]

WEATHER ISLANDS IS A MODEL FOR EROSION-DRIVEN LANDSCAPES IN RIVERINE ECOSYSTEMS [CARNEGIE MELLON UNIVERSITY, 2019]

INDUS ATLAS IS A MAPPING AND HISTORIOGRAPHY OF WATER-MONITORING TECHNOLOGIES IN THE INDUS BASIN [HARVARD GRADUATE SCHOOL OF DESIGN, 2022]

FILM

TENDING IS A SONIC FILM ON PRACTICES OF LAND REPAIR AND CARE WITHIN THE FLOOD ZONES OF GLACIAL LAKES IN THE ROLWALING VALLEY OF NEPAL 

HYMNS FOR GLACIA IS A FILM DOCUMENTING THE LOSS OF GLACIAL LANDS AND LIFE ALONG THE KARAKORUM HIGHWAY IN NORTHERN PAKISTAN [MIT, 2024]


SONIC WEATHERS


Installation and Sensory Performance Using
Field Recordings, Vocals, and Musical Traditions of the Himalaya

Kirkland Gallery
(2023)

Collaborators:
Pravah Khandekhar, Shivesh Sood,
Manaswi Mishra, Aakash Rao, Volkan Efe
AUDIO AVIARY is a bird sound installation at Gund Hall. In opposition to its colonial history of capture and ecological conquest, this Aviary is positioned not a technology of capture. It is instead a sort of telephone. Public participants use the installation to call, sing, to surrounding birds. Speakers then transmit ‘citizen’-recorded sounds from Cape Ann to Cambridge — rehearsing a call, between the places where threatened species live now and the environments they will adapt to. In attuning to these changes, we participate in their collective sounds for an interspecies future.

AUDIO AVIARY is a bird sound installation at Gund Hall. In opposition to its colonial history of capture and ecological conquest, this Aviary is positioned not a technology of capture. It is instead a sort of telephone. Public participants use the installation to call, sing, to surrounding birds. Speakers then transmit ‘citizen’-recorded sounds from Cape Ann to Cambridge — rehearsing a call, between the places where threatened species live now and the environments they will adapt to. In attuning to these changes, we participate in their collective sounds for an interspecies future.